Press releases overview
January 28–29, 2019
Few living American poets have so thoroughly absorbed, and cleverly responded to, the avant-garde traditions in visual art and poetry - including Dada, Futurism, Concretism, Fluxus, and Conceptual Art - as Kenneth Goldsmith. With influences ranging from John Cage and Andy Warhol to contemporary hip hop and internet artists, Goldsmith has pushed the limits of late twentieth century poetics to both reinvigorate and pioneer aspects of visual poetry, sound poetry, the list poem, and digital poetics. If it is true, as Brion Gysin once remarked, that innovations in writing lag 50 years behind those of visual art, Goldsmith has steadfastly worked to bring the form up to date with the accomplishments of conceptual and performance art.
November 21–22, 2018
What can you do when you can do nothing? Ties, bonds, embraces, and fights are methods to relate. The invited speakers think about the importance of trust, love, and care and posit them as crucial components necessary in order to form a think tank, a working group, or an exchange pool. How is this different from nepotism? It is different from nepotism because the main goal is not to corrupt power with relations, but to form relations to regain a sense of relevance.
NEW 11.10.2018 News

Class of Interpretation

Thyssen-Bornemisza Art Contemporary (TBA21) launches study course in curatorial studies in cooperation with the Academy of Fine Arts in Prague (AVU)
The five-year program, Class of Interpretation, will foster a new generation of agents of change in the arts through innovative classroom methodologies, research, and exchanges
The program kicks off on Wednesday, October 24, 2018, with a public lecture by art collective ANON
28 – 29 September 2018 | Church of San Lorenzo, Venice, IT
Think about the Ocean as you think about a relationship. We know that humans are bad at being faithful, infidelity has a tenacity that faithfulness can only envy. If you ask about Nature or the Ocean, everyone would be ready to declare their love, or our dependency, and yet we cheat on the seas, on water, on resources, on the images, on life. Ocean Adultery has many forms, and historically it has been—as Anthony Burgess describes it—“the most creative of sins.” We deplore the many times and many ways we were unfaithful to the Ocean, and yet prohibition only fuels the eagerness with which we consume our forbidden apples—or better said, our forbidden waters, fish, corals, sea beds, and human lives…. We need to face this: If we keep failing to meet our own standards, the solution is simply to try harder. This exercise cannot happen without thinking through a question: Who is the injured party? One would say the Ocean, but would that be to demonize our actions without pausing to explore our motives? Without learning how to weather its occurrence?
Symposium Return to the Sea – July 4 and 6
The symposium Return to the Sea spans across the opening of Oceans. Imagining a Tidalectic Worldview in its two locations — the Museum of Modern Art Dubrovnik (MOMAD) and the Franciscan Monastery on Lopud—to inaugurate the exhibition by focusing on the important issues facing the oceans today and on the policies that could bring about change. Organized by TBA21–Academy, this symposium with artists, curators, and scientists is concerned with the impact of human interference on oceanic ecosystems and local communities to create new connections that are not otherwise possible in the academic and institutional context. What do marine biologists and architects have in common? Where do philosophers and mining experts meet? How do designers and policymakers talk to one another? What are the new fields and professions that could emerge from this in the future? What new forms of institutions can be imagined from the ocean’s fluid foundation?
Global platform for cross-disciplinary explorations catalyzing ocean literacy, research, and advocacy through the arts
Major multi-media commission Armin Linke: Prospecting Ocean opens May 23, 2018 at Institute of Marine Sciences (CNR-ISMAR) in Venice in prelude to next year’s launch.
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